Mostrando las entradas con la etiqueta cine. Mostrar todas las entradas
Mostrando las entradas con la etiqueta cine. Mostrar todas las entradas

Re:WORDS

Re:WORDS from Everynone on Vimeo.

Made by Everynone | http://www.everynone.com |



We decided to reword our film "WORDS" -

This was made completely of clips found on YouTube



(view original film here: http://vimeo.com/13768695)



Original Score by Keith Kenniff (http://www.unseen-music.com)

The Best Miramax Films

Today, the indie world and the film world at large lost a giant in the field, watching Disney close the doors and turn the lights off on Miramax. As sad a day like today is, and as uncertain as the future is, we can still hold on to the memories. Most of them are now on Blu-ray. Or at least Laser Disc (because we all own one).

Without further tears in our eyes, we’d like to remember Miramax for their 15 Best Films.

If you’re like me and Rob Hunter, your rental queue is already full.

15. Kids (1995)

The Pitch: Even if Rob Hunter doesn’t think Larry Clark’s harsh film about drug and sexual abandon amongst the youth in NYC is well acted, he’s wrong, and the movie is brilliant and challenging. The response was expectedly mixed with some critics and fans seeing it as a strong artistic endeavor and others calling it borderline child pornography. Shockingly, Disney’s name was left off of the financing. -CA

14. The Reflecting Skin (1990)

The Pitch: You probably haven’t seen this odd and creepy little flick, but if you have consider yourself one of the lucky few. It’s a dark and original coming-of-age tale set in 1950′s America and filled with beautiful cinematography, child murderers, a suspected vampire, and Viggo Mortensen. And the rights holders have never released it on US or UK DVD. Bastards. -RH

13. The Crying Game (1992)

The Pitch: This film is mostly known for its twist, which is a shame, because the entire film is a thing of beauty. With knock out performances by Stephen Rea and Forrest Whitaker, it hit the Oscars hard with six nominations (including Best Picture). More than just a pop cultural reference, the entire film should be watched for its intensity and its racial and gender commentary. -CA

12. Exotica (1994)

The Pitch: This is the movie that put director Atom Egoyan on the map. (Sadly, it was just a map of Canada). This intoxicating and slow-paced movie manages to be both mysterious and sexy in equal measures, and even though Cole Abaius scoffs at Egoyan’s cinematic oeuvre this is still independent filmmaking at its best (even if it is Canadian). -RH

11. Beautiful Girls (1996)

The Pitch: It’d be easy to say this movie’s relevance comes from my appreciation for Natalie Portman’s fresh but Lolita-esque turn as the cute neighbor girl. But even if you don’t enjoy the indiscretions of youth (or intentionally misusing known phrases to avoid sounding like a pervert) the movie also packs solid laughs, a strong ensemble cast, and the 748th film use of the song “Beth” by a repentant boyfriend. -RH

10. sex,lies and videotape (1989)

The Pitch: Some of us can still remember when Steven Soderbergh was good at barely scripting his films and using minimalist camera work. This fantastic flick won the Palme d’Or back in 1989, and launched Soderbergh’s career in earnest. If you were looking for the film that really started the indie movement’s commercial success – look no further than a film about James Spader’s sexual dysfunction. -CA

9. My Left Foot (1989)

The Pitch: Only a few years ago, modern audiences were sort of re-introduced to the genius of Daniel Day-Lewis. If you’re looking for a way to delve deeper – check out his first Academy Award win in this stirring story of a young man who can only control his left foot. Here’s where I make a comment about Day-Lewis having more acting talent in his left foot than in most actor’s entire bodies. But I’ll refrain. -CA

8. Flirting With Disaster (1996)

The Pitch: Ben Stiller leads a fantastic cast in a comedy about identity and the concept of nature vs nurture. Director David O. Russell would go on to burn professional bridges with actors and studios alike while filming Three Kings and I Heart Huckabees, but for this one film he managed to keep his temper in check and the result is some stellar ensemble comedy. -RH

7. Pulp Fiction (1994)

The Pitch: Not only did it launch Quentin Tarantino even further into the cultural stage, it also relaunched John Travolta’s career. It also made a bunch of violent film fans finally memorize part of the bible. Oddly enough, Harvey Weinstein wanted Daniel Day-Lewis (who you’ll remember from the last entry) to play Vincent Vega instead of Travolta. Then again, stranger things have happened – Sid Haig was originally offered the role of Marcellus Wallace. -CA

6. Bob Roberts (1992)

The Pitch: Who knew Tim Robbins could be so politically aware? The freakishly tall actor wrote and directed this satirical faux documentary about an election, and he shines a smart and funny eye on shenanigans from both sides of the aisle. As true today as it was almost twenty years ago. -RH

5. Chasing Amy (1997)

The Pitch: Say what you will about Clerks, and Kevin Smith has said a lot to us, but Chasing Amy is really his best film to date. It’s personal and sweet underneath all that talk about fisting. A few Indie Spirit Awards, a career launch for Ben Affleck, and a 4800% return on the budget later, and you have a bona fide hit. -CA

4. Heavenly Creatures (1994)

The Pitch: Peter Jackson’s most realistic and grounded film is still one of his best. Two girls in 1950′s New Zealand live in a fantasy world where they plan a real-world murder. It’s made all the more affecting when you realize it’s based on a true story and one of the girls grew up to become Anne Perry, a bestselling writer of mysteries and thrillers. -RH

3. There Will Be Blood (2007)

The Pitch: I don’t have enough space to write all the awards this thing was nominated for or won, but if you have any doubt about the phenomenon, I’ll point you in the direction of your nearest “I Drink Your Milkshake” t-shirt wearer. Beyond becoming a catch-phrase for casual wear, this movie is one of the hardest movies that can actually be re-watched repeatedly. As opposed to, say, Kids. -CA

2. City of God (2002)

The Pitch: This Brazilian gem is a small, gritty, and surprisingly human look at one of the nastiest cities on Earth. Violence and dreams collide as young kids growing up in Rio de Janeiro’s most dangerous slum make choices with profound effects. It’s currently #16 on IMDB’s Top 250 Movie list which is damn impressive stuff for a film with no known stars. -RH

1. Trainspotting (1996)

The Pitch: Topping the list is the film that’s been voted the Best Scottish film of all time as well as in the Top Ten of British films. One of Danny Boyle’s first films, it takes a strange look at a group of heroine addicts. It rocked Cannes in 1996, and was picked up by Miramax for distribution in the states – giving us just a glimpse of Boyle’s talents and the talents of Scottish filmmaking. As brilliant as this film is, I’m with Ewan MacGregor in hoping that a sequel doesn’t get made. -CA

Editor’s Note: This list was lovingly compiled by Rob Hunter and Cole Abaius.

Cinematic Listology By Cole Abaius on January 28, 2010

via: http://www.filmschoolrejects.com

The Beast Pageant - Trailer

The Beast Pageant - Trailer from Albert Birney on Vimeo.

THE BEAST PAGEANT is a feature film written and directed by Albert Birney and Jon Moses in Rochester, New York.

visit our kickstarter page here: http://www.kickstarter.com/projects/50459436/the-beast-pageant

www.thebeastpageant.com
www.jubadaba.com

Iceland, Eyjafjallajökull - May 1st and 2nd, 2010

Iceland, Eyjafjallajökull - May 1st and 2nd, 2010 from Sean Stiegemeier on Vimeo.

So I saw all of these mediocre pictures of that volcano in Iceland nobody can pronounce the name of, so I figured I should go and do better. But the flights to get over took forever as expected (somewhat). 4 days after leaving I finally made it, but the weather was terrible for another 4. Just before leaving it got pretty good for about a day and a half and this is what I managed to get.

Wish I had more time. I missed all the cool Lightning and the Lava of the first eruption. But I figure this will just be a trial run for another day.

I am of course accepting sponsors to send me back there for more please...!! haha

Music: Jónsi - Kolniður (http://jonsi.com)
Canon 5d mkII
HUGE thanks for the Motorized Dolly via MILapse (http://vimeo.com/milapse). Details are to come soon so stay tuned...

© Sean Stiegemeier
www.in-perfidia.com
www.twitter.com/sstieg

Alice in Wonderland ( 1903 )



You can now watch the film over at The Auteurs

Alice in Wonderland (1903), the first-ever film version of Lewis Carroll’s tale, has recently been restored by the BFI National Archive and premiered at a celebration of the history of the classic story at the British Library.

Made just 37 years after the novel’s publication and eight years after the birth of cinema, the first film adaptation was directed by Cecil Hepworth and Percy Stow, and was based on Sir John Tenniel’s original illustrations. Hepworth cast his wife as the Red Queen, and he himself appears as the Frog Footman. His production secretary May Clark played Alice, and even the family cat and dog got in on the act. The cat played the Cheshire Cat, and the dog would go on to become the first authentic British film star (canine or otherwise) to have his name in the credit of a film when he headlined the pioneering chase film Rescued By Rover in 1905.

Although originally running just 12 minutes, Alice in Wonderland was the longest film produced in England at that time and represented a major investment for the pioneering Hepworth Studios. However, despite its historical importance, it was almost lost for good, and just one incomplete print is known to survive.

APRICOT - Short Film by Ben Briand

APRICOT - Short Film by Ben Briand (sponsored by his incredible actors and crew) from Moonwalk Films on Vimeo.

Do you remember your first love? ... Do you remember your first kiss? ... Do you remember? ...

- Facebook page -
http://www.facebook.com/pages/APRICOT-A-Short-Film-by-Ben-Briand/340181713678/

- Written & Directed by -
Ben Briand
http://www.benbriand.com

- Produced by -
Matt Dooley
Michele Bennett
Alexis Bensa
Gaspard Chevance
http://www.moonwalkfilms.com
http://www.cherubpictures.com.au

- Cast -
Ewen Leslie
Laura Gordon
Alice Zahalka
Joshua Rozzi

- Cinematography -
http://www.adamarkapaw.com

- Music -
www.basilhogios.com.au

Karen O And The Kids - Where The Wild Things Are


Descarga... Where The Wild Things Are

tracklist...
01. Igloo
02. All Is Love
03. Capsize
04. Worried Shoes
05. Rumpus
06. Rumpus Reprise
07. Hideaway
08. Cliffs
09. Animal
10. Lost Fur
11. Heads Up
12. Building All Is Love
13. Food Is Still Hot
14. Sailing Home

Cinema Park




En la línea de los sensoramas de los 70´s Cinepolis nos trae nuevamente sorpresas en su complejo de Cinepolis Perisur. Si no bastaban las Salas Vip, las pantallas Imax o el dedicar salas a Cine de Arte en otro complejos, ahora tenemos Cinema Park, parque temático educativo en donde en cada sala se probaran nuevas formas de disfrutar el cine. Las salas que estarán en funcionamiento a partir del 7 de junio son:

* Sala del movimiento. Los sillones tienen movimiento de arriba hacia abajo, de derecha a izquierda, de adelante a atrás; producen cosquillas en la espalda; descargas de aire en cara y cuello, lo mismo que una brisa de agua; de igual forma se pueden percibir olores individuales y sonido estereofónico
* Sala interactiva. Con ayuda de un control se participa de manera individual o en equipo en un juego interactivo con todo y anfitrión dentro de la pantalla; poniendo a prueba sus conocimientos, en este caso sobre la vida en el universo.
* Sala de la imaginación. Por medio del sentido auditivo y de la imaginación se deberá construir una historia mediante narraciones y sonidos reales.
* Sala de música. Se resalta la importancia de la música en el cine por medio de un moderno sistema de audio e iluminación, que incluye luces, rayos láser y proyecciones.
* Sala 3D. Películas en 3D con ayuda de unos lentes especiales.
* Sala inspiracional. A partir del tema de “Aventura en el Universo” se invita a la reflexion sobre el ser humano y lo que se espera del futuro.

En grupos de 40 personas se experimentaran por 4 horas las 6 salas acondicionadas. Cinema Park funcionará de 9 a 13 hrs. de lunes a viernes y de 10:00 a 14:00 hrs los fines de semana. Después de ese horario las salas que han sido acondicionadas retomarán sus funciones de cine comercial.

El primer viaje temático será: “Aventura en el universo”, posteriormente se tendrán “Vida submarina”, “El cuerpo humano” y “El mundo de los dinosaurios”.

Cinema Park Cinépolis Perisur, Anillo Periférico Sur 4690, entre Zacatépetl y Av. Insurgentes. Tel. 54244703 ext 116, Costo $100 por persona.
Sitio web de Cinema Park

A Clockwork Orange scrip

A Clockwork Orange

Based on the novel by Anthony Burgess

Screenplay by Stanley Kubrick

Produced by Stanley Kubrick

Directed by Stanley Kubrick


Cast List:

Malcolm McDowell Alex
Patrick Magee Mr. Alexander
Michael Bates Chief Guard
Warren Clarke Dim
John Clive Stage Actor
Carl Duering Dr. Brodsky
Paul Farrell Tramp
Clive Francis Lodger
Michael Gover Prison Governor
Miriam Karlin Catlady
James Marcus Georgie
Philip Stone Dad
Sheila Raynor Mum

SCRIP

A Hard day´s night



The Beatles’ first feature film. Released by United Artists. A Walter Shenson – Subafilms Production.

Comedy and music are combined to make this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance. This is in spite of Paul’s troublemaking grandfather (Wildfred Brambell) and Ringo’s arrest.

The film has been praised as a benchmark for music film production, and remains influential to this day. Director Dick Lester used a documentary style of filming to capture the claustrophobia of Beatlemania, and writer Alun Owen delivered a script which epitomised the quick witted humour of the band.

PRODUCT INFORMATION

Product information

Currently available in DVD and VHS formats.
Duration: 108 minutes
2 disc DVD set
Digital Dolby 5.1
Surround
Rating: U / G
Widescreen anamorphic
PAL / NTSC
Subtitles
Special features include: 35 minute new documentary “Things They Said Today”, interviews with the filmmakers, Sir George Martin, cast members, post production team.

CAST

John Lennon:John / Paul McCartney: Paul / George Harrison: George / Ringo Starr: Ringo / Grandfather: Wildfred Brambell / Norm: Norman Rossington / Shake: John Junkin / T.V. Director: Victor Spinetti / Millie: Anna Quayle / Police Inspector: Deryck Guyler / Man on train: Richard Vernon / Hotel waiter: Eddie Malin / T.V. Floor manager: Robin Ray / T.V. Choreographer: Lionel Blair / Secretary: Alison Seebohm / Young Boy: David Jaxon

CREDITS

Director: Richard Lester / Producer: Walter Shenson / Associate Producer: Denis O’Dell / Assistant Director: John D. Merriman / Scriptwriter Alun Owen / Director of Photography: Gilbert Taylor / Editor: John Jympson / Art Director: Ray Simm / Musical Director: George Martin / Songs by John Lennon and Paul McCartney / Sound Editor: Gordon Daniel / Costume Designer: Julie Harris / Suits by Dougie Millings and Son / Title photographs by Robert Freeman

FESTIVAL INTERNACIONAL DE CINE DE MORELIA 2008

DEL 4 AL 12 DE OCTUBRE

El Festival Internacional de Cine de Morelia surge de la necesidad de crear un punto de encuentro único en nuestro país entre los cineastas mexicanos, el público de Michoacán y la comunidad fílmica internacional. El Festival Internacional de Cine de Morelia tiene como finalidad establecer un foro en el cual promover a los nuevos talentos del cine mexicano, presentar su trabajo en el marco de una amplia gama de propuestas cinematográficas internacionales, así como difundir la enorme riqueza del estado de Michoacán.

El Festival Internacional de Cine de Morelia A.C. continúa la tradición establecida por la Jornada de Cortometraje Mexicano, la cual desde 1994 ha presentado las innovadoras propuestas de jóvenes realizadores mexicanos en la generosa sede de la Cineteca Nacional y se traslada con nuevos elementos a una de las ciudades más hermosas de México: Morelia, declarada Patrimonio Cultural de la Humanidad por la UNESCO.

Desde el año 2003, fecha de inicio del festival, se implementó un nuevo concurso para complementar la renombrada Sección de Cortometraje Mexicano: la Sección de Documental Mexicano, la cual reafirma nuestro compromiso con este género de gran vigencia en el cine nacional.

Estamos muy orgullosos de consolidar nuestra asociación con la Semana Internacional de la Críica del Festival de Cine de Cannes. Este espacio se ha caracterizado por apoyar el trabajo de nuevos cineastas, incluyendo importantes talentos mexicanos como Alejandro González Iñárritu, Guillermo del Toro, y más recientemente, Fernando Eimbcke. En el marco del Festival Internacional de Cine de Morelia se presenta, desde su primera edición en 2003, una selección de largometrajes que forman parte del programa de la Semana Internacional de la Crítica del Festival de Cannes del año en curso, y lo que es aún más importante para beneficio de los nuevos realizadores mexicanos, esta prestigiada sección del Festival de Cannes presenta una muestra de los trabajos ganadores del Festival Internacional de Cine de Morelia.

Por otra parte, el Festival Internacional de Cine de Morelia organiza proyecciones al aire libre, homenajes a destacados cineastas invitados, retrospectivas dedicadas a maestros del cine mexicano, una muestra de cortometrajes michoacanos, cortometrajes para niños, estrenos de largometrajes mexicanos e internacionales, una sección de películas estadounidenses con temática de migración y cuestiones transnacionales, un concurso de guión de cortometraje, exposiciones, conferencias y distintas actividades relacionadas con el cine.

http://moreliafilmfest.com/2008/ES/

STRANGER THAN FICTION ( 2006 )

Tema super random, pero Lore lo propuso, asi q ya, tendre q hablar de pasos.
ok al pensar en este tema, lo primero q me vino a la mente fue la escena de la peli STRANGER THAN FICTION ( 2006 ) , pelicula gringa dirigida por Marc Foster y escrita por Zach Helm
la historia es simple, es un wy, super oficinista, el cual tiene una ligera obseción numerica, cuenta todo, cuenta los las cepilladas q se da a los dientes, los pasos q da al trabajo, los escalones, todo simplemente todo, la presentacion del personaje es mediante una tercera voz, un narrador, la cual en cuanto menos te das cuenta se mete dentro de la historia y empieza a afectar la vida de este wy, bueno el chiste es q se da cuenta q esta dentro de un libro y esta voz es la escritora de ese libro, si ya se algo loco, pero asi es, en fin, topenla esta realemente muy muy buena, les dejo el trailer y si la quieren ver pues me mandan un mailsito

Jarvis prepara disco, colaboracion con Wes Anderson


Al tiempo en el que Jarvis Cocker afina los ultimos detalles de su segundo album, el musico originario de Sheffield ha revelado tambien que esta trabajando en algunas canciones que apareceran en la proxima pelicula de mi director de cine favorito, Wes Anderson.

Hasta el momento, el ex lider de Pulp ha escrito varias canciones que podrian ser parte del score de la adaptacion animada de ‘Fantastic Mr. Fox’ de Roald Dahl’s, que actualmente dirige Anderson, creador de grandes peliculas como ‘Rushmore’, ‘The Royal Tenenbaums’ y mas recientemente ‘The Darjeeling Limited’.

Parte del encanto de las peliculas de Wes Anderson pasa siempre por la fabulosa musicalizacion que tiene, ya sea cortesia de los Kinks, Rolling Stones, David Bowie, y por supuesto, el ex-lider de Devo, Mark Mothersbaugh quien es el encargado de realizar casi toda la musica incidental para sus peliculas.

‘Fantastic Mr. Fox’ se estrenara el proximo año, y entre sus protagonistas destacan George Clooney, Cate Blanchett, el infaltable Jason Schwartzman y Bill Murray.

THE DARK NIGHT

Hay chavos chavos, hoy desperte con esa necesidad masiva de ver la nueva pelicula de batman, y q creen??? pues si la vi, mmmm que opino de ella??? mi critica en pocas palabras y metaforeando un poco seria..
¨ ES COMO UNA BUENA COMIDA QUE TERMINA MUY PRONTO Y CUANDO QUIERES POSTRE, TE DICEN Q NO HAY ¨

ajap, asi es, muy muy muy buena pelicula, excelentes actuaciones ( mas de nuestro querido amigo fallecido Heath Ledger ), buena foto ( aunque en muchas partes se brinca el eje descaradamente ), pero la verdad lo que se lleva mis aplausos es el departamento de edición, porque aun que tuvieron problemas, fuera de su alcanzae de tooodos, aun no terminado el rodaje, puedieron sacar una pelicula buena.

La historia ya todos nos la sabemos, no vamos al cine a ver una pelicula nueva, ni por la necesidad de ver a batman, sino yo siento q el exito taquillero se debe al morbo Ledgeresco, asi que no es necesario q les cuente la pelicula, aparte si seria mala onda.

Todo el cuestionamiento comienza en el momento q se prenden las luces al final de la pelicula, xq durante la pelicula no puedes hacer mas q deleitarte con esa gran actuación de Ledger, que sin lugar a dudas se roba el protagonismo de la pelicula, ya despues al momento de terminar, la reacción de la mayoria de los de la sala y la mia fue como un mm... Y LUEGO!!!!, como dijo Nahevy fue como ver un gran trailer, un trailer de 1 hora y media, te quedas con ganas de mas pelicula, la vdd si es notorio q no tuvieron mucho material filmico de donde sacar una pelicula con una estructura bien montada y mas q nada bien terminada.

Pero en fin, la conclusión personal a la cual llegue, es mmm... ¨ LA PELICULA ESTA INCOMPLETA, NO ES NADA NUEVO, PERO LO QUE HAY, REALMENTE ES MUY MUY MUY BUENO ¨ y pues su exito taquillero como ya lo dije para mi es mas por morbo q por otra cosa.

pero ok, depende de ustedes y su criterio.

YO TAMBIEN TE QUIERO



Direction by: Jack Zagha
Produced by: Karen Czukerberg

festival MONTBLANC

Impulso al Arte Joven 2008

Image MONTBLANC convoca a los jóvenes artistas, productores y realizadores de cortometrajes a concursar en la 3a edición del Impulso al Arte Joven MONTBLANC. Los interesados deberán participar con hasta dos cortometrajes, tema libre a desarrollar y abierto en género, sin embargo se deberá incorporar en alguna escena un elemento indispensable: La estrella de MONTBLANC.

El primer premio incluye un apoyo económico de 100,000 pesos para destinarlos a la producción de un cortometraje durante el 2009.

Para mayor información consulta las bases en www.impulsoalartejoven2008.com.mx, o al correo fernando.moreno@uia.mx.